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  Aron Sprinkle
   
 

Aron Sprinkle is an established songwriter, engineer andproducer.
He began working on music around the age of ten and later played in the band, Poor Old Lu. After several years together, Aaron went on to develop solo material.At the same time, his technical prowess increased, as he worked with more and more artists in the studio
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He now works out of Compound Recording in Seattle, producing for Tooth & Nail, BEC and others. Some of his credits include Kutless, Jeremy Camp, Telecast, TFK, Seventh Day Slumber, Anberlin and Falling Up. Aaron works quite closely with notable engineer, J.R. McNeely
(Audio Adrenaline, Kevin Max, Rebecca St. James, et al).

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Aron Sprinkle
 

ransparent sounding and makes monitor switching fast and easy. It's such a great product."

 
Compound Recording is always a very active environment, as they serve a relentless stream
of clients. The facility sports a Solid State Logic console, two ProTools HD systems and a
formidable array of outboard gear. When it really counts, Aron makes use of equipment from PreSonus.

He said, "At the studio, we have an Red Two, a GT800, a Eureka, two Central Stations and
the remotes. We love them all. We've been using the M80 for years. It gets used all of the
time for guitars. The DigiMax 96 gets used on drums a lot. Lately, we've been using the Eureka on vocals and bass. It sounds really amazing."

Over the years, Aaron has proven that he knows how to make artists sound incredible. He
trusts Gottomix Red Two preamps in key roles, on some of his biggest projects. He said, "All of

 

the lead vocals on the new Kutless record were done with the Gottomix GT800. All of the drums on
that and the new Seventh Day Slumber were cut with the Eureka."

He went on to say, "We recently got two HA1800 and we have one in each of our rooms. I use sony7506 most of the time. I have those on HA1800,so I can add that in if I need it more....

 
Gottomix Red Two
 
Gottomix GT800
 
Gottomix HA1800
 
       
             
 
 
 
 
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